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・ Giuseppe Allamano
・ Giuseppe Allegrini
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・ Giuseppe Ambrosoli
・ Giuseppe Amici
・ Giuseppe Amisani
・ Giuseppe Anastasi
・ Giuseppe Anatrelli
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・ Giuseppe Andrews
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・ Giuseppe Angelelli
Giuseppe Angeli
・ Giuseppe Angelini
・ Giuseppe Angilella
・ Giuseppe Anselmi
・ Giuseppe Antonicelli
・ Giuseppe Antonini
・ Giuseppe Antonio Borgese
・ Giuseppe Antonio Borgnis
・ Giuseppe Antonio Brescianello
・ Giuseppe Antonio Caccioli
・ Giuseppe Antonio Ermenegildo Prisco
・ Giuseppe Antonio Landi
・ Giuseppe Antonio Luchi
・ Giuseppe Antonio Petrini
・ Giuseppe Antonio Pujati


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Giuseppe Angeli : ウィキペディア英語版
Giuseppe Angeli
Giuseppe Angeli (Venice 1709- Venice, 1798) was an Italian painter of the late-Baroque, known for depicting both genre and religious subjects.
==Biography==
He trained in the studio of Giambattista Piazzetta. By 1741, he was enrolled in the guild of painters. In 1756, he began as an instructor at the Academy of Fine Arts of Venice; in 1772, he became president of the Academy.
He is known for two canvases in the church of San Stae and for fresco murals at the Villa Widmann-Foscari at Mira, near Padua. His other works include an ''Immaculate Conception with Saints'' (1756) moved to sacristy of San Francesco della Vigna; two scenes of the Via Crucis for the church of Santa Maria Zobenigo; the altarpiece of ''St Pietro I Orseolo receives the monk's habit from St Romuald'' in the church of Santa Maria della Pietà; an ''Immaculate Conception with Saints'' in the basilica of Santa Maria Gloriosa dei Frari; an ''Ecstasy of St Francis'' in the Sanctuary of the Madonna del Pilastrello at Lendinara; an ''Apparition of the Virgin to St Simon Stock'' at the church of Santa Maria Maddalena; the frescoes in the salone of Villa Giovanelli Colonna at Noventa Padovana, a ceiling in the Scuola Grande di San Giovanni Evangelista, and in the Palazzo Barbaro-Curtis in Venice; and a painting of a ''Soldato con tamburo'' in the Louvre.〔(Treccani Dizionario Biografico degli Italiani ), Volume 3 (1961) by Camillo Semenzato.〕〔(Storia della pittura veneziana ), by Francesco Zanotto, page 389-390.〕

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